My Portfolio
Welcome to my portfolio. Explore my work to take a closer look at my skills.
DIGITAL ILLUSTRATIONS
Scooby Doo Gang Poster
Tools/Software used: Clip Studio Paint
This illustration was inspired by my love for Scooby-Doo and the time my friends and I dressed up as the Mystery Inc. gang. I wanted to capture that fun memory by drawing us in the style of a classic Scooby-Doo cover while adding my own artistic touch. To create a spooky atmosphere, I used darker greenish-blue tones to enhance the eerie vibe. One of the biggest challenges was the background. Environmental art has never been my strong suit. However, by using references and taking my time, I was able to push myself beyond my comfort zone. I’m really proud of how it turned out! This project taught me the value of patience in art. Taking it slow and focusing on shading and effects made a huge difference in the final piece.
Underwater Stretch
Tools/Software used: Clip Studio Paint
This illustration is part of my storyboard for Ocean of Eden, a personal project inspired by the biblical stories of Adam & Eve and Cain & Abel. In this scene, two supporting characters, Oscar and Ozzy (a shark), are doing their morning stretches just before meeting the main characters. I wanted to capture a lighthearted moment between them while setting the tone for the world they live in. For this piece, I experimented with a more painterly style for the background, trying out different digital brushes to achieve a softer, more textured look. One of my biggest challenges was drawing the fish, something I’ve never been confident in. But by studying references and taking the time to learn, I actually found it really fun! Finding and refining my personal style is more challenging than I expected, but this project reminded me that practice and experimentation are key to growth.
Dragons Cave
Tools/Software used: Adobe Photoshop
This piece is from Into the Book, a project where I explore storytelling through illustration. In this scene, the princess wakes up in the dragon’s cave, only to be found by the knight. I wanted to capture the mood of this moment using a simplified, storybook-like style, with color influences from Steven Universe.
To challenge myself, I restricted my tools to only the lasso and fill tool, forcing me to make quick, intentional design choices. This method was new to me, and at first, I struggled with getting the shapes to look right. But after lots of trial and error, I got the hang of it and really enjoyed the process. This technique is incredibly fast and efficient once mastered, and I can see it becoming a valuable tool for future projects!
Sciurophobia (VASE Project)
Tools/Software used: Clip Studio Paint and Adobe Photoshop
This piece was inspired by old black-and-white horror films and the art of absurdity. I wanted to create something with a wildly contrasting theme, and I landed on a horror setting featuring a giant killer squirrel. The idea of using an animal as the focal point was influenced by a piece I did in my freshman year, where I illustrated myself and a bear on a cruise ship. To push the horror aesthetic, I completely limited my colors to grayscale, forcing me to rely heavily on shading to convey depth and mood. Finding the right balance was tricky, too dark and the details would be lost, too light and it wouldn’t feel eerie enough. By practicing different shading techniques and studying old horror movie references, I was able to achieve the contrast I wanted. References can be a lifesaver! Studying real examples helped me refine my shading and create a stronger, more balanced composition.
Don't Slack
Tools/Software used: Clip Studio Paint and Adobe Photoshop
This piece comes from my personal project, The Bus Stop Boys, which follows a group of characters striving to rise above their circumstances despite the challenges they face. I drew inspiration from street culture and the idea of finding motivation even in tough environments. For this piece, I experimented with a collage-style approach, blending real-life elements with my digital artwork. It was my first time integrating photographic textures and mixed-media elements, which made the process challenging, especially since I was on a time crunch. At first, I struggled with making the different elements feel cohesive, but through trial and error, I managed to bring the composition together. Research is key! Exploring a style before jumping in makes the process smoother and helps bring the vision to life more effectively.
GRAPHIC DESIGN
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Heavenly Bees Logo
Tools/Software used: Adobe Illustrator
This project was inspired by honey brands that not only sell honey but also work to protect and save bees. The company’s mission centers around ethically harvesting honey while using sales to fund bee conservation efforts. I wanted the design to reflect this purpose in a simple yet engaging way. To emphasize the cause, I chose a clean but cute style, with a bee as the main visual focus. However, one of the biggest challenges was figuring out the best layout. To solve this, I quickly sketched out multiple ideas and experimented until I found the most effective arrangement. Trial and error can be tedious, but it’s worth it, it leads to a stronger final product!
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Book Cover
Tools/Software used: Clip Studio Paint and Adobe Photoshop
This piece was inspired by Guillermo del Toro’s Pinocchio, but I wanted to bring in a more whimsical, childlike feel to the design. Instead of the darker, more intricate aesthetic of the film, I reimagined Pinocchio in a lighter, playful way that still paid homage to the original style. For this illustration, I experimented with blending two styles, an old, vintage poster look combined with a crayon-like texture to enhance the childlike essence. Finding the right balance was tricky; I didn’t want the piece to feel too serious or overly childish. After some trial and error, I landed on the idea of Pinocchio actively drawing on the poster, which perfectly captured the mix of nostalgia and playfulness I was aiming for.
ANIMATIONS
Into The Book (Storyboard)
Tools/Software used: Adobe Illustrator
This project follows a girl who gets pulled into her favorite book and must solve the story’s problem to return home, learning valuable life lessons along the way. Inspired by Fat Albert (2004) and classic fairytales, I wanted to bring a modern, comedic spin to the "knight saves the princess" trope. Since time was limited, I focused on simple yet effective angles and quick, meaningful camera changes every few frames. This was my first time storyboarding an entire animated short, and I also had to collaborate with a team, which meant adjusting to different art styles while maintaining a cohesive vision. Working in animation requires strong teamwork and adaptability. I also gained a deeper appreciation for the many moving parts that bring a full animation to life!
